the great gatspy

The Great Gatsby, third novel by F. Scott Fitzgerald, published in 1925 by Charles Scribner’s Sons. Set in Jazz Age New York, the novel tells the tragic story of Jay Gatsby, a self-made millionaire, and his pursuit of Daisy Buchanan, a wealthy young woman whom he loved in his youth. Unsuccessful upon publication, the book is now considered a classic of American fiction and has often been called the Great American Novel.

Plot summary

The book is narrated by Nick Carraway, a Yale University graduate from the Midwest who moves to New York after World War I to pursue a career in bonds. He recounts the events of the summer he spent in the East two years later, reconstructing his story through a series of flashbacks not always told in chronological order.

In the spring of 1922, Nick takes a house in the fictional village of West Egg on Long Island, where he finds himself living among the colossal mansions of the newly rich. Across the water in the more refined village of East Egg live his cousin Daisy and her brutish, absurdly wealthy husband Tom Buchanan. Early in the summer Nick goes over to their house for dinner, where he also meets Jordan Baker, a friend of Daisy’s and a well-known golf champion, who tells him that Tom has a mistress in New York City. In a private conversation, Daisy confesses to Nick that she has been unhappy. Returning to his house in West Egg, he catches sight of his neighbour, Jay Gatsby, standing alone in the dark and stretching his arms out to a green light burning across the bay at the end of Tom and Daisy’s dock.

Early in July Tom introduces Nick to his mistress, Myrtle Wilson, who lives with her spiritless husband George Wilson in what Nick calls “a valley of ashes”: an industrial wasteland presided over by the bespectacled eyes of Doctor T.J. Eckleburg, which stare down from an advertising billboard. Meeting her at the garage where George works as a repairman, the three of them go to Tom and Myrtle’s apartment in Manhattan. They are joined by Myrtle’s sister and some other friends who live nearby, and the evening ends in heavy drunkenness and Tom punching Myrtle in the nose when she brings up Daisy. Nick wakes up in a train station the morning afterward.

As the summer progresses, Nick grows accustomed to the noises and lights of dazzling parties held at his neighbour’s house, where the famous and newly rich turn up on Saturday nights to enjoy Gatsby’s well-stocked bar and full jazz orchestra. Nick attends one of these parties when personally invited by Gatsby and runs into Jordan, with whom he spends most of the evening. He is struck by the apparent absence of the host and the impression that all of his guests seem to have dark theories about Gatsby’s past. However, Nick meets him at last in a rather quiet encounter later in the evening when the man sitting beside him identifies himself as Gatsby. Gatsby disappears and later asks to speak to Jordan privately. Jordan returns amazed by what he has told her, but she is unable to tell Nick what it is.

Context and reception

Set in what was called the Jazz Age (a term popularized by Fitzgerald), or the Roaring Twenties, The Great Gatsby vividly captures its historical moment: the economic boom of postwar America, the new jazz music, the free-flowing illegal liquor. As Fitzgerald later remarked in an essay about the era, it was “a whole race going hedonistic, deciding on pleasure.” The brazenly lavish culture of West Egg is a reflection of the new prosperity that was possible during Prohibition, when illegal schemes involving the black-market selling of liquor abounded. Such criminal enterprises are the source of Gatsby’s income and finance his incredible parties, which are probably based on parties Fitzgerald himself attended when he lived on Long Island in the early 1920s. Even the racial anxieties of the period are evident in the novel; Tom’s diatribe on The Rise of the Colored Empires—a reference to a real book published in 1920 by the American political scientist Lothrop Stoddard—points to the burgeoning eugenics movement in the United States during the early 20th century.

Fitzgerald finished The Great Gatsby in early 1925 while he was living in France, and Scribner’s published it in April of the same year. Fitzgerald struggled considerably in choosing a title, toying with Trimalchio and Under the Red, White and Blue, among others; he was never satisfied with the title The Great Gatsby, under which it was ultimately published. The illustration for the dust jacket was commissioned by Fitzgerald’s editor Maxwell Perkins seven months before he was in possession of the finished manuscript. It was designed by Francis Cugat, a Spanish-born artist who did Hollywood movie posters, and depicts the eyes of a woman hanging over the carnival lights of Coney Island. The design was well-loved by Fitzgerald, and he claimed in a letter to Perkins that he had written it into the book, though whether this refers to the eyes of Doctor Eckleburg or something else is uncertain. Cugat’s painting is now one of the most well-known and celebrated examples of jacket art in American literature.

Analysis

Above all, The Great Gatsby has been read as a pessimistic examination of the American Dream. At its centre is a remarkable rags-to-riches story, of a boy from a poor farming background who has built himself up to fabulous wealth. Jay Gatsby is someone who once had nothing but who now entertains rich and celebrated people in his enormous house on Long Island. However, even though Gatsby’s wealth may be commensurate to the likes of Tom Buchanan’s, he is ultimately unable to break into the “distinguished secret society” of those who were born wealthy. His attempt to win Daisy Buchanan, a woman from a well-established family of the American elite, ends in disaster and his death. This tension between “new money” and “old money” is represented in the book by the contrast between West Egg and East Egg. West Egg is portrayed as a tawdry, brash society that “chafed under the old euphemisms,” full of people who have made their money in an age of unprecedented materialism. East Egg, in contrast, is a refined society populated by America’s “staid nobility,” those who have inherited their wealth and who frown on the rawness of West Egg. In the end, it is East Egg that might be said to triumph: while Gatsby is shot and his garish parties are dispersed, Tom and Daisy are unharmed by the terrible events of the summer.

The Great Gatsby is memorable for the rich symbolism that underpins its story. Throughout the novel, the green light at the end of Daisy’s dock is a recurrent image that beckons to Gatsby’s sense of ambition. It is a symbol of “the orgastic future” he believes in so intensely, toward which his arms are outstretched when Nick first sees him. It is this “extraordinary gift for hope” that Nick admires so much in Gatsby, his “heightened sensitivity to the promises of life.” Once Daisy is within Gatsby’s reach, however, the “colossal significance” of the green light disappears. In essence, the green light is an unattainable promise, one that Nick understands in universal terms at the end of the novel: a future we never grasp but for which we are always reaching. Nick compares it to the hope the early settlers had in the promise of the New World. Gatsby’s dream fails, then, when he fixates his hope on a real object, Daisy. His once indefinite ambition is thereafter limited to the real world and becomes prey to all of its corruption.

The valley of ashes—an industrial wasteland located between West Egg and Manhattan—serves as a counterpoint to the brilliant future promised by the green light. As a dumping ground for the refuse of nearby factories, it stands as the consequence of America’s postwar economic boom, the ugly truth behind the consumer culture that props up newly rich people like Gatsby. In this valley live men like George Wilson who are “already crumbling.” They are the underclasses that live without hope, all the while bolstering the greed of a thriving economy. Notably, Gatsby does not in the end escape the ash of this economy that built him: it is George Wilson who comes to kill him, described as an “ashen” figure the moment before he shoots Gatsby. Over the valley of ashes hover the bespectacled eyes of Doctor T.J. Eckleburg, which appear on the advertising billboard of an oculist. These eyes almost become a moral conscience in the morally vacuous world of The Great Gatsby; to George Wilson they are the eyes of God. They are said to “brood” and “[keep] their vigil” over the valley, and they witness some of the most corrupt moments of the novel: Tom and Myrtle’s affair, Myrtle’s death, and the valley itself, full of America’s industrial waste and the toiling poor. However, in the end they are another product of the materialistic culture of the age, set up by Doctor Eckleburg to “fatten his practice.” Behind them is just one more person trying to get rich. Their function as a divine being who watches and judges is thus ultimately null, and the novel is left without a moral anchor.

characters list

Jay Gatsby The protagonist who gives his name to the story. Gatsby is a newly wealthy Midwesterner-turned-Easterner who orders his life around one desire: to be reunited with Daisy Buchanan, the love he lost five years earlier. His quest for the American dream leads him from poverty to wealth, into the arms of his beloved and, eventually, to death.

Nick Carraway The story’s narrator. Nick rents the small house next to Gatsby’s mansion in West Egg and, over the course of events, helps Gatsby reunite with Daisy (who happens to be Nick’s cousin). Nick’s Midwestern sensibility finds the East an unsettling place, and he becomes disillusioned with how wealthy socialites like the Buchanans lead their lives.

Daisy Buchanan Beautiful and mesmerizing, Daisy is the apex of sociability. Her privileged upbringing in Louisville has conditioned her to a particular lifestyle, which Tom, her husband, is able to provide her. She enraptures men, especially Gatsby, with her diaphanous nature and sultry voice. She is the object of Gatsby’s desire, for good or ill, and represents women of an elite social class.

Tom Buchanan Daisy’s hulking brute of a husband. Tom comes from an old, wealthy Chicago family and takes pride in his rough ways. He commands attention through his boisterous and outspoken (even racist) behavior. He leads a life of luxury in East Egg, playing polo, riding horses, and driving fast cars. He is proud of his affairs and has had many since his marriage. Myrtle Wilson is merely the woman of the moment for Tom.

Pammy Buchanan Toddler daughter of Tom and Daisy Buchanan. Little mention is made of her and she represents the children of the Jazz Agers. She has very little parental contact, yet the reader is always vaguely aware of her presence.

Jordan Baker Professional golfer of questionable integrity. Friend of Daisy’s who, like Daisy, represents women of a particular class. Jordan is the young, single woman of wealth, admired by men wherever she goes. She dates Nick casually, but seems offended when he is the first man not to fall for her charms. Although she is savvy, she comes off as somewhat shallow in her approach to life.

Myrtle Wilson Married lover of Tom Buchanan. Myrtle serves as a representative of the lower class. Through her affair with Tom she gains entrée into the world of the elite, and the change in her personality is remarkable. She conducts a secret life with Tom, wherein she exhibits all the power and dominance she finds lacking in her everyday life. She eventually suffers a tragic end at the hands of her lover’s wife.

George Wilson Myrtle’s unassuming husband. He runs a garage and gas station in the valley of ashes and seems trapped by his position in life. Eventually, he finds out about his wife’s double life and his response to it helps drive her to her death. Distraught at what happens, Wilson becomes Fitzgerald’s way of expressing the despair prevalent in the seemingly trapped lower-middle class.

Catherine Sister of Myrtle Wilson who is aware of her sister’s secret life and willing to partake of its benefits.

Meyer Wolfshiem Gatsby’s business associate and link to organized crime. A professional gambler, Wolfshiem is attributed with fixing the 1919 World Series. Wolfshiem helped build Gatsby’s fortune, although the wealth came through questionable means.

Michaelis George Wilson’s restaurateur neighbor who comforts Wilson after Myrtle is killed. One of the few charitable people to be found in the novel.

Ewing Klipspringer Convivially known as Gatsby’s “boarder.” Klipspringer is a quintessential leech, a representative of the people who frequented Gatsby’s parties.

Dan Cody Worldly mentor of Jay Gatsby. Cody took Gatsby under his wing when Gatsby was a young man and taught him much about living adventurously and pursuing dreams.

Henry C. Gatz Father of Jay Gatsby. Comes from the Midwest to bury his son. Gatz serves as a very tangible reminder of Gatsby’s humble heritage and roots.

Critical Essays Social Stratification: The Great Gatsby as Social Commentary

In The Great Gatsby Fitzgerald offers up commentary on a variety of themes — justice, power, greed, betrayal, the American dream, and so on. Of all the themes, perhaps none is more well developed than that of social stratification. The Great Gatsby is regarded as a brilliant piece of social commentary, offering a vivid peek into American life in the 1920s. Fitzgerald carefully sets up his novel into distinct groups but, in the end, each group has its own problems to contend with, leaving a powerful reminder of what a precarious place the world really is. By creating distinct social classes — old money, new money, and no money — Fitzgerald sends strong messages about the elitism running throughout every strata of society.

The first and most obvious group Fitzgerald attacks is, of course, the rich. However, for Fitzgerald (and certainly his characters), placing the rich all in one group together would be a great mistake. For many of those of modest means, the rich seem to be unified by their money. However, Fitzgerald reveals this is not the case. In The Great Gatsby, Fitzgerald presents two distinct types of wealthy people. First, there are people like the Buchanans and Jordan Baker who were born into wealth. Their families have had money for many generations, hence they are “old money.” As portrayed in the novel, the “old money” people don’t have to work (they rarely, if ever, even speak about business arrangements) and they spend their time amusing themselves with whatever takes their fancy. Daisy, Tom, Jordan, and the distinct social class they represent are perhaps the story’s most elitist group, imposing distinctions on the other people of wealth (like Gatsby) based not so much on how much money one has, but where that money came from and when it was acquired. For the “old money” people, the fact that Gatsby (and countless other people like him in the 1920s) has only just recently acquired his money is reason enough to dislike him. In their way of thinking, he can’t possibly have the same refinement, sensibility, and taste they have. Not only does he work for a living, but he comes from a low-class background which, in their opinion, means he cannot possibly be like them.

In many ways, the social elite are right. The “new money” people cannot be like them, and in many ways that works in their favor — those in society’s highest echelon are not nice people at all. They are judgmental and superficial, failing to look at the essence of the people around them (and themselves, too). Instead, they live their lives in such a way as to perpetuate their sense of superiority — however unrealistic that may be. The people with newly acquired wealth, though, aren’t necessarily much better. Think of Gatsby’s partygoers. They attend his parties, drink his liquor, and eat his food, never once taking the time to even meet their host (nor do they even bother to wait for an invitation, they just show up). When Gatsby dies, all the people who frequented his house every week mysteriously became busy elsewhere, abandoning Gatsby when he could no longer do anything for them. One would like to think the newly wealthy would be more sensitive to the world around them — after all, it was only recently they were without money and most doors were closed to them. As Fitzgerald shows, however, their concerns are largely living for the moment, steeped in partying and other forms of excess.

Just as he did with people of money, Fitzgerald uses the people with no money to convey a strong message. Nick, although he comes from a family with a bit of wealth, doesn’t have nearly the capital of Gatsby or Tom. In the end, though, he shows himself to be an honorable and principled man, which is more than Tom exhibits. Myrtle, though, is another story. She comes from the middle class at best. She is trapped, as are so many others, in the valley of ashes, and spends her days trying to make it out. In fact, her desire to move up the social hierarchy leads her to her affair with Tom and she is decidedly pleased with the arrangement.

Because of the misery pervading her life, Myrtle has distanced herself from her moral obligations and has no difficulty cheating on her husband when it means that she gets to lead the lifestyle she wants, if only for a little while. What she doesn’t realize, however, is that Tom and his friends will never accept her into their circle. (Notice how Tom has a pattern of picking lower-class women to sleep with. For him, their powerlessness makes his own position that much more superior. In a strange way, being with women who aspire to his class makes him feel better about himself and allows him to perpetuate the illusion that he is a good and important man.) Myrtle is no more than a toy to Tom and to those he represents.

Fitzgerald has a keen eye and in The Great Gatsby presents a harsh picture of the world he sees around him. The 1920s marked a time of great post-war economic growth, and Fitzgerald captures the frenzy of the society well. Although, of course, Fitzgerald could have no way of foreseeing the stock market crash of 1929, the world he presents in The Great Gatsby seems clearly to be headed for disaster. They have assumed skewed worldviews, mistakenly believing their survival lies in stratification and reinforcing social boundaries. They erroneously place their faith in superficial external means (such as money and materialism), while neglecting to cultivate the compassion and sensitivity that, in fact, separate humans from the animals.

Study Help Famous Quotes from The Great Gatsby

Here are examples of some of the most famous quotes from F. Scott Fitzgerald’s The Great Gatsby, (1925). These will help you gain a deeper understanding of this celebrated Jazz Age novel by one of the foremost Twentieth Century American writers.

“Whenever you feel like criticizing any one . . . just remember that all the people in this world haven’t had the advantages that you’ve had.” Chapter 1

“…what foul dust floated in the wake of his dreams that temporarily closed out my interest in the abortive sorrows and short-winded elations of men.” Chapter 1

“I hope she’ll be a fool — that’s the best thing a girl can be in this world, a beautiful little fool . . . You see, I think everything’s terrible anyhow . . . And I know. I’ve been everywhere and seen everything and done everything.” Chapter 1

“Involuntarily I glanced seaward—and distinguished nothing except a single green light, minute and far away, that might have been the end of a dock.” Chapter 1

“This is a valley of ashes — a fantastic farm where ashes grow like wheat into ridges and hills and grotesque gardens; where ashes take the forms of houses and chimneys and rising smoke and, finally, with a transcendent effort, of men who move dimly and already crumbling through the powdery air.” Chapter 2

“He thinks she goes to see her sister in New York. He’s so dumb he doesn’t know he’s alive.” Chapter 2

Study Help Full Glossary for The Great Gatsby

anæmic having anemia, an illness of the blood resulting in paleness and generalized weakness; also can mean anyone lacking vigor or vitality; lifelessness.

Argonne Forest a wooded region in northeast France, near the Belgian border.

Belasco David Belasco (1853-1931); U.S. theatrical producer, playwright, and actor.

caravansary in the Near and Middle East, a kind of inn with a large central court, where caravans stop for the night.

coupe a closed, two-door automobile with a body smaller than that of a sedan.

dilatory inclined to delay; slow or late in doing things.

El Greco (about 1541-1614); painter in Italy and Spain.

The Follies immensely popular revue started by Florenz Ziegfeld in 1907.

fortnight a period of two weeks.

Goddard’s The Rise of the Colored Empires an allusion to Theodore Lothrop Stoddard’s The Rising Tide of Color Against White World Supremacy (1920).

The Great War World War I

hauteur disdainful pride; haughtiness; snobbery.

Hopalong Cassidy cowboy hero of novelist Clarence E. Mulford’s popular western series.

J.D. Rockefeller (1839-1937); U.S. industrialist and philanthropist.

James J. Hill (1838-1916) U.S. railroad magnate and financier; builder of the Great Northern Railway.

Kaiser Wilhelm ruler of Germany, 1871-1918. Remember, the U.S. had not long prior fought WWI (1914-1918) wherein the Allies (Great Britain, Russia, France, the United States., Italy, Japan, and so on) fought against the Central Powers (Germany, Austria, Hungary, and others).

Kant Immanuel Kant (1724-1804); German philosopher.

kike a Jew: a vulgar term of hostility and contempt.

Madame de Maintenon (1635-1719); second wife of Louis XIV of France. She is often depicted as ambitious, greedy, evil, and narrow-minded.

medium a person through whom communications are thought to be sent to the living from spirits of the dead.

meretricious alluring by false, showy charms; attractive in a flashy way; tawdry.

Midas and Morgan and Maecenas Midas, in Greek Myth, the king of Phrygia granted the power of turning everything that he touches into gold; J.P. Morgan (1837-1913), U.S. financier; Gaius Clinius Maecenas (70-8 BC), Roman statesman and patron of Horace and Virgil.

New Haven City in southern Connecticut; home to Yale University.

1919 World Series notorious championship baseball series plagued by scandal for being fixed.

omnibus a bus; having a variety of purposes or uses.

pasquinade a satirical piece of writing that holds its object up to ridicule, formerly one posted in a public place; lampoon.

pneumatic filled with compressed air.

prodigality wastefulness or extreme lavishness.

Sauterne a sweet white wine produced in southwest France near the Bordeaux region.

Simon Called Peter Robert Keable’s best-selling fiction work from 1922.

Stoddard lectures travel books taking in the entire world.

Trimalchio wealthy character who lavishly feasts guests at a banquet in Petronius’ Satyricon, a satire on Roman life in the first century A.D.

Victoria an early touring automobile with a folding top over the rear seat.

white flannels white trousers made of light flannel.

Yale Club private social club in New York City.