The first ebook of the course:
What songs would YOU have sent to outer space back in 1977?
Our morning class:
What a wonderful world (Louis Armstrong)
Mozart – Eine Kleine Nachtmusic
Lucy in the Sky with Diamonds
Let it be
Imagine
Give peace a chance
Stairway to heaven
Fly me to the moon
Jailhouse Rock
Tango (yes, but which?)
Girl from Ipanema
I will always love you (added by Prof. Spitzer)
Famous Blue Raincoat (added by Mel)
What songs would YOU have sent to outer space back in 1977?
Our afternoon class:
Rocket Man
Christian Choir
Mozart Symphony no. 40
Lucy in the Sky with Diamonds
A Day in the Life
Imagine
Barbra Streisand
Fly me to the moon
Hit the road, Jack
Jailhouse Rock
Something by ABBA
I will always love you (added by Prof. Spitzer)
Famous Blue Raincoat (added by Mel)
WHAT???????????NO BACH???????????????
If you were sending a satellite into space, what music of humanity would you send to the distant galaxies?
The Voyager Interstellar Record
from Wikipedia:
The musical selection is also varied, featuring works by composers such as J. S. Bach (interpreted by Glenn Gould and by Karl Richter), Mozart, Beethoven (played by the Budapest String Quartet), and Stravinsky. The disc also includes music by Guan Pinghu, Blind Willie Johnson, Chuck Berry, Kesarbai Kerkar, Valya Balkanska, and electronic composer Laurie Spiegel, as well as Azerbaijani folk music (Mugham) by oboe player Kamil Jalilov.[10][11][12][13][14] The selection of music for the record was completed by a team composed of Carl Sagan as project director, Linda Salzman Sagan, Frank Drake, Alan Lomax, Ann Druyan as creative director, artist Jon Lomberg, ethnomusicologist Robert E. Brown, Timothy Ferris as producer, and Jimmy Iovine as sound engineer.[15][16] The inclusion of Berry’s “Johnny B. Goode” was controversial, with Lomax claiming that rock music was “adolescent”, to which Sagan replied, “There are a lot of adolescents on the planet.”[15] It also included the sounds of humpbacked whales from the 1970 album by Roger Payne, Songs of the Humpback Whale.[17]
Voyager Golden Record — Music Timeline
Start times are cumulative from the beginning of the music sequence (B1) through the final track (F4). Timings are based on the Ozma Records 40th‑anniversary release.
| Start (mm:ss) | Length | Track |
| 0:00 | 4:44 | Brandenburg Concerto No. 2 in F Major, BWV 1047: I. Allegro — Munich Bach Orchestra / Karl Richter |
| 4:44 | 4:47 | Ketawang: Puspåwårnå (Kinds of Flowers) — Pura Paku Alaman Palace Orchestra / K.R.T. Wasitodipuro |
| 9:31 | 2:11 | Cengunmé — Mahi musicians of Benin |
| 11:42 | 1:01 | Alima Song — Mbuti of the Ituri Rainforest |
| 12:43 | 1:29 | Barnumbirr (Morning Star) and Moikoi Song — Tom Djawa, Mudpo & Waliparu |
| 14:12 | 3:20 | El Cascabel — Antonio Maciel & Los Aguilillas with Mariachi México de Pepe Villa |
| 17:32 | 2:41 | Johnny B. Goode — Chuck Berry |
| 20:13 | 1:25 | Mariuamangɨ — Pranis Pandang & Kumbui (Nyaura Clan) |
| 21:38 | 5:04 | Sokaku-Reibo (Depicting the Cranes in Their Nest) — Gorō Yamaguchi |
| 26:42 | 2:58 | Partita for Violin Solo No. 3 in E Major, BWV 1006: III. Gavotte en Rondeau — Arthur Grumiaux |
| 29:40 | 3:00 | The Magic Flute, K. 620, Act II: Hell’s Vengeance Boils in My Heart — Edda Moser; Bavarian State Opera / Wolfgang Sawallisch |
| 32:40 | 2:21 | Chakrulo — Georgian State Merited Ensemble of Folk Song and Dance |
| 35:01 | 0:55 | Roncadoras and Drums — Musicians from Ancash |
| 35:56 | 3:06 | Melancholy Blues — Louis Armstrong and His Hot Seven |
| 39:02 | 2:35 | Muğam — Kamil Jalilov |
| 41:37 | 4:38 | The Rite of Spring, Part II: VI. Sacrificial Dance — Columbia Symphony Orchestra / Igor Stravinsky |
| 46:15 | 4:51 | he Well-Tempered Clavier, Book II: Prelude & Fugue No. 1 in C Major, BWV 870 — Glenn GouldT |
| 51:06 | 8:49 | Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio — Philharmonia Orchestra / Otto Klemperer |
| 59:55 | 5:04 | Izlel e Delyu Haydutin — Valya Balkanska |
| 64:59 | 1:01 | Navajo Night Chant, Yeibichai Dance — Ambrose Roan Horse, Chester Roan & Tom Roan |
| 66:00 | 1:17 | The Fairie Round — Early Music Consort of London / David Munrow |
| 67:17 | 1:15 | Naranaratana Kookokoo (The Cry of the Megapode Bird) — Solomon Islands panpipes |
| 68:32 | 0:42 | Wedding Song — Young girl of Huancavelica |
| 69:14 | 7:36 | Liu Shui (Flowing Streams) — Guan Pinghu |
| 76:50 | 3:34 | Bhairavi: Jaat Kahan Ho — Kesarbai Kerkar |
| 80:24 | 3:22 | Dark Was the Night, Cold Was the Ground — Blind Willie Johnson |
| 83:46 | 6:41 | String Quartet No. 13 in B-flat, Op. 130: V. Cavatina — Budapest String Quartet |

even more Bach
Here’s more ‘proof’ that rock music begins with Bach (1685-1750).
Bach, Toccata and Fugue in D minor, organ
on a three hundred year + organ
fantasia
Lots more about Bach, check out Martin Luther and music around the seventh minute
Michael Spitzer’s choice.
Has music ended with AI? What music will the aliens find when they land?
Will we cease being musical beings?
Rick Beato on AI songs
https://ich.unesco.org/en/RL/polyphonic-singing-of-the-aka-pygmies-of-central-africa-00082
Warning: semi nude scenes
Published: Oct 28, 2025
Latest Revision: Nov 4, 2025
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